“Fast forward nearly two years. We’re in alpha, and for the first time, we’re meeting Fallout 3. Up until this point, the game has been a collection of assets, tasks, code and lots of teamwork. The game is beginning to feel complete as everything comes together. We realized, however, that wandering the wasteland didn’t feel right. Something was off about that experience. What we realized was that the world felt pushed together. We simply had too much stuff, too close together.
This is because we were using the same POI density that had served us well for Oblivion. There’s no secret playbook at Bethesda that tells us what to do. We simply learn from what we’ve done before. POI density wasn’t something we really had a name for back then.
The trouble was that Oblivion and Fallout 3 are very different games. The sightlines in Fallout 3 are much larger, and you don’t have the major visual blockers of Oblivion’s forests and hilly terrain. Aside from all that, it’s a game where you’re supposed to occasionally feel lonely, and we weren’t achieving the tone we wanted.
So we made a decision. We could have pared back, but we decided to add a significant amount of new area to the North and West ends of the map. Remember that we were in alpha, and a lot of this work was supposed to be done. If you’re a producer, you should be squirming in your seat right now. This took our entire environment art and level design teams offline for the better part of two months. It was a painful decision, but we felt it was the best option to make the game what we wanted it to be.”